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Updated: Apr 8

A couple years ago, I wrote about the Slow Art Movement, which you can read more about in Slow Down. I wondered, if given the opportunity to host a Slow Art Tour, what artist(s) or movement(s) would I choose to talk about during the discussion? Thank you to the Modern Art Museum of Fort Worth, who provided me with the opportunity to host the inaugural Youth Scholar Slow Art Tour. I imagine you too are wondering what I chose to discuss during my Slow Art Tour? A hint to answer this question is included in the picture below.

I have always gravitated towards modern art but in particular abstract expressionism, color field, and minimalism. I have always admired the works of Anni and Josef Albers who are associated with the Bauhaus, abstraction, color field and Op art. I could write an entire article on the life and work of Josef Albers but thought I would simply include a video link to show you what you missed during the Slow Art Tour at the Fort Worth Modern. Please grab some popcorn and click the picture above to view the full video presentation. Enjoy the show!






In 2021, I wrote about living skin that was actually printed from a 3D printer (see Pinch me! Am I Dreaming?) This made me wonder, are there any limits to things you could print with a 3D printer? Enter Relativity.


Relativity (noun): (1) [Physics] the dependence of various physical phenomena on relative motion of the observer and the observed objects, especially regarding the nature and behavior of light, space, time, and gravity. (2) an aerospace company that designs, develops, and builds 3D printed rockets. Wait a minute...what?


On March 22, Relativity launched Terran 1, a 33.5-meter-tall vehicle, from Launch Complex 16 in Cape Canaveral Space Force Base during its maiden flight aptly named Good Luck, Have Fun (GLHF). More importantly, this is the first 3D printed rocket with about 85% of the rocket 3D printed. The first stage or lower portion of the rocket operated nominally with its nine Aeon 1 engines. However, the single Aeon 1 vacuum engine on the second stage or upper portion did not perform as expected, so unfortunately the rocket did not reach orbit. Overall, this was a great accomplishment as most maiden rocket flights are not as successful.


I wanted to learn more about Relativity and had the chance to interview Tjepke Heeringa, Principal Engineer at Relativity Space.


Beckett: I really enjoy math and science. What did you most enjoy studying in school?

Tjepke: I think I enjoyed studying English and science most when I was in high school.


Beckett: How did you know that you wanted to be an engineer and as an engineer, did you always want to work specifically in the aerospace industry?

Tjepke: Since I was a kid I've been into aircraft and helicopters, so becoming an aerospace engineer always felt like a natural choice to me. I earned my degree from Delft University of Technology in the Netherlands.


Beckett: Congratulations on the maiden flight of Terran 1, Good Luck Have Fun. I understand that you have been working on the next generation Terran R. What are some aspects of Terran R that you are most excited about including some of the payload capabilities?

Tjepke: We're designing Terran R to be able to lift about 50,000 lbs to low earth orbit and then to land the first stage on a barge in the ocean to be reused. I'm really excited to see how we can use 3D printing to make our rocket better than using more traditional manufacturing methods.


Clearly, there are no limits on what can be made with a 3D printer - skin, rockets and even buildings.


Updated: Sep 18

My good friend Mrs. Nelson and I recently had a chance to attend the world premiere of the documentary film Breaking the Code, a retrospective on the life of artist Vernon Fisher, by filmmaker Michael Flanagan. Sadly, Vernon Fisher passed away on April 24, 2023 just before the film premiered at the Dallas International Film Festival (DIFF) later that week. I have always admired Vernon Fisher's work especially his blackboard paintings. I have also wondered, what is it that the artist is communicating in a particular painted work of words layered on photo realistic images and chalkboard sketches? To find out you must see Breaking the Code. For a preview, click the photo below to watch the trailer. As they say, "the interpretation is up to you."



During the premiere, I had a chance to meet Mr. Flanagan and later was able to ask him some questions about his film, which was awarded Best Historical Film at DIFF.


Beckett: First of all congratulations on Breaking the Code and for your award at DIFF. As a young filmmaker myself, I wanted to ask you how you started your journey in filmmaking?

Michael: While I regularly went to the movie theatre throughout my childhood, it wasn't until my early twenties that I began to more seriously research film history. During this period I took advantage of every opportunity I had to involve myself with film productions. My undergraduate studies also shifted in focus to filmmaking.


Beckett: Have you always been interested in documentary films?

Michael: I was not particularly interested in documentary films during my childhood, but looking back on it now I realize that various programs I enjoyed on television were documentaries. I'm thinking of things like Shark Week on the Discovery Channel or some of the many food and culture travel shows that aired on the History Channel.


Beckett: Do you always know what questions to ask or have a plan for the conversation or do the ideas and questions just come during the process?

Michael: I usually spend at least several weeks preparing questions for interviews by conducting research and sometimes doing pre-interviews. However, It's also important to allow conversations to unfold naturally. You can learn new things in the middle of an interview and it's important to have the ability to spontaneously develop a new line of questioning in the moment.


Beckett: How do you make a relationship or create trust with someone you don't know yet? That seems tricky to me.

Michael: Everyone is different, so there is no universal answer for this. However, you'll give yourself the best chance to create trust by approaching people with respect and displaying that you are knowledgeable and confident in regard to the subject matter you wish to engage them in.


Beckett: Considering the number of people interviewed, how much time is involved from planning, interviewing and editing?

Michael: Breaking the Code involved interviews with more than twenty people and required that a small crew travel to various locations throughout the United States. Planning began in late-2019 and we are still working through the post-production and distribution process. When all is said and done, there will likely be about four to five years of my time invested in this project.


Beckett: I find editing films most challenging. Is there a part of the filmmaking process that you enjoy more than others?

Michael: I enjoy editing films because you have directorial power to shape the narrative. During production you have to deal with schedules, crews, interview subjects and many other logistical and creative concerns. That can be a very fulfilling experience, but it's often very chaotic and stressful. When you're editing, you're able to have a clear mind and calm space as you sift through all the material you've worked so hard to obtain.


Beckett: What are you working on next?

Michael: I'm currently in the early stages of developing a narrative feature-film adaptation of Vernon Fisher's book, Navigating by the Stars. I'll be writing a script for it in the coming months and hope to be in pre-production by the end of 2023.

Beckett: I look forward to the next installation of the Vernon Fisher series. This is a nice tribute to his legacy. Thank you so much for your insight and for sharing this film with us. Ad Astra, to the stars!


Updated September 18, 2024


Breaking the Code will be available to stream online via Glasstire TV. Click here to watch the full documentary.



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